At the heart of God's trinitarian perichoresis, there is an exchange of a gift of eternal love and desire, an ecstatic dance of moving, kenotically, towards the other in an act of self-giving, becoming oneness in this kenotic and kinetic love. At the same time of moving, there is a simultaneous kinesis—of being moved by such kenotic desire. Perichoresis is the inhabiting of a communal exchange of love within the divine community, it is a dance of moving and being moved by divine eros and agape, at the same time giving, receiving and sharing in ecstatic love. The choreography of divine kenosis and kinesis invites thinking about the paradox of an unchangeable love that is being moved by or being moved with (conmover, in Spanish) the suffering and the delight of the other. We envision the trinitarian exchange of divine love as an eternal dance of kenotic and kinetic eros and agape, eternally becoming both the dancer and the dance. With this evoking trinitarian theo-choreographic approach, we discern on how it provokes thinking—affirmingly—about the body, embodiment, and corporeal life. And how this further invokes transforming theological discourse and practice.