The relationship between art and the sacred occupies a dynamic and contested space in contemporary Muslim thought, reflecting the rich diversity of Islamic traditions and the challenges posed by modernity. Islamic art historically embraces aniconism, emphasizing geometric patterns, calligraphy, and architectural marvels as a means of reflecting divine transcendence. Contemporary debates, however, have seen a re-evaluation of these paradigms, influenced by global artistic movements, postcolonial critique, and the rise of digital media. These debates center on questions of representation, the permissibility of figurative art, and the evolving role of art in expressing spiritual truths. Prominent Muslim thinkers have explored art as a vehicle for divine contemplation, highlighting the intersection of aesthetics and spirituality. At the same time, the global Muslim diaspora has fostered a pluralistic engagement with artistic traditions, blending influences from both Islamic and non-Islamic sources. This pluralism, while celebrated by some as a testament to the universality of the sacred, is critiqued by others who argue for a return to "authentic" forms rooted in classical Islamic jurisprudence and theology. The intersection of art, politics, and sacredness is further explored through case studies, including the reception of controversial works and the rise of "Islamic contemporary art" in galleries worldwide. These examples reveal the tensions between conservative religious perspectives and progressive artistic expressions, illustrating the broader struggles within Muslim societies regarding modern identity and faith. By analysing these diverse perspectives, this paper aims to contribute to the growing discourse on the role of art in articulating and challenging notions of the sacred in Islam.