The role of Nsibidi art could be as a bridge between traditional sacred languages and contemporary artistic expression in the context of the ongoing crisis of religious art in modernity. As secularization, modernization, and the decline of traditional religious art forms challenge the representation of the sacred, Nsibidi - a symbol system indigenous to the southeastern region of Nigeria, particularly among the Ekpe societies and a form of communication with deep spiritual, cultural, and philosophical significance - emerges as a powerful tool for reimagining sacred and spiritual expression in today's world. It has historically been used in sacred rituals, spiritual practices, and social contexts to encode wisdom and cultural knowledge With its semiotic richness, Nsibidi offers a compelling lens through which to examine how sacred art can be preserved, transformed, or revitalized amidst modernity's shifting landscape. The art of Nsibidi, for example, could be reinterpreted in a contemporary context where there is a growing interest in bridging the gap between tradition and modern aesthetics, and in reclaiming forms of spiritual expression that are grounded in specific cultural contexts. As societies globally are reassessing spiritual and cultural identities, these symbols might take on new meaning, making Nsibidi relevant as a form of artistic language that intersects with the ongoing debates on sacred and secular art. Thus, Nsibidi could be part of this interdisciplinary and interreligious dialogue as it embodies the possibility of integrating traditional sacred forms with contemporary artistic expression, offering an alternative approach to the crisis of religious art that the panel aims to address. The fluidity of Nsibidi between sacred and secular uses makes it a dynamic example of how cultural art forms might adapt and find relevance in modern discussions about the sacred in art.