The project 'Digital Spaces of Hope' contributes to research on digital religion by exploring the transformations in women's religious identity, practice, and civil activism during wartime. Drawing on Brigit Meyer's concept of aesthetic formation (Meyer, 2009), I examine women's faith-based online communities as 'spaces of hope' - digital venues where female believers exchange emotional support, care, and hope for a better future. These online venues function as safe spaces in which women engage in faith practice through sensorial experiences of the divine, experiment with (non-) religious rituals, and self-expression in a community of shared values. Furthermore, the spaces of hope bring together Ukrainian women from diverse religious traditions, geographical locations, and cultural backgrounds. Combining digital ethnography (software atlas.ti) and fieldwork (interviews), the project analyses how these online venues of faith-practice become spaces of hope, raising women's resilience, solidarity and resistance in the face of the unpredictable realities of war. By focusing on women's online faith-based activism during the war, the study also reveals deeper transformations in Ukrainian society - particularly in attitudes towards faith, perceptions of religious authorities, and the formation of religious identity and online practice.