Power and knowledge are bound together. Truth-formation and -expression is a mechanism of power in which it supports itself. Power both establishes and seeks confirmations of its truths. In Michel Foucault's Disciple and Punish, the public display of torture and punishment operated on the production of truth. Generally, the attempts to dissuade the ruling power from punishment operated according to the knowledge-power system of punishment. However, the system became dismantled when the onlookers no longer pleaded but rather rose up and took the stage. The subjected placed themselves within the power realm of the subject. Tonstad's 'Beyond Apologetics', along with other recent feminist theological works, operate in a similar manner. This paper offers an analysis of Tonstad's Queer Theology: Beyond Apologetics, along with other works, in recognition of Foucault's assessment: how feminist, queer, and other liberatory theologies requires a radical storming of the stage - creating and taking space with other theological approaches.