Inductive theology reconfigures theological method by proceeding from lived realities rather than abstract doctrinal premises and, in doing so, remains structurally open to sustained interdisciplinary dialogue. This article advances that methodological claim by analyzing how hip hop—understood as a multifaceted cultural formation rather than merely a musical genre—offers distinctive "bottom-up" perspectives on how religion is experienced, practiced, and negotiated in marginalized urban contexts. Drawing on scholarship in hip hop studies, particularly the growing field of hip hop and religion, the article argues that attention to hip hop's religious imaginaries, ethical vocabularies, and performative practices expands the epistemic and normative horizons of inductive theology. In doing so, the article shows how hip hop enriches inductive method in practice while helping to build a disciplinary bridge between theology and adjacent disciplines.