The paper explores the philosophical and theological convergence between Hölderlin and Nietzsche, emphasizing their shared awareness that the traditional world founded on the Judeo-Christian God has collapsed. For both thinkers, the "flight of the gods" signals not a matter of individual belief or disbelief, but the end of an entire historical and cultural horizon. Drawing on Heidegger and Vattimo, this condition is interpreted as a completed "destining of Being," for which no new foundation has yet emerged. Attempts to revive God through rational theodicy or analytical philosophy of religion are therefore depicted as anachronistic and idolatrous, reducing God to a quasi-natural object or a mystical abstraction equally detached from human experience. Rather than endorsing a nihilistic philosophy of the death of God, the text argues for a transformation in how God is accessed today. God should be understood as a "God of paper," encountered not directly but through texts, interpretation, and tradition. This mediated access does not diminish God's reality; instead, it preserves the divine from oppressive metaphysical presence or empty mystical absence. Direct access to God, whether rational or mystical, is portrayed as a misunderstanding of divinity itself. Hölderlin's concept of Andenken (remembrance), particularly as interpreted by Heidegger and Vattimo, provides the key model. In memory, what is irretrievably lost is nonetheless made present again, not as an object, but as a lived and meaningful experience. Similarly, God can today be accessed only through the memory of religious traditions. This does not weaken God's truth; rather, it reveals a less imposing, more open and non-violent form of the divine. The text concludes that poets—and, more broadly, creators of new worlds—are those who sustain what remains, making memory the authentic space of contemporary religious meaning.